Artist Statement
This painting derived from photographs of a spring flower meadow I took at the Royal Botanical gardens Sydney.
About the Artist
Roger Beale is one of Canberra’s better known artists with numerous solo and group shows since 1984. He is classically trained (teachers include the late Betty and Roy Churcher, Melville Haysom, John Molvig and the faculty of the Florence School of Art) and paints in a realist style in the European tradition. His art is held in private and public collections around Australia and the world, including several Ambassadorial residences. Canberra’s famous Ottoman Restaurant had a notable collection of his large flower paintings.
Canberra’s most eminent art critic Professor Sasha Grishin said in his review of Beale’s 2019 Humble House exhibition:
There is little doubt that Beale is committed to his craft and is passionate about his work and his sense of authenticity to the experience of the place is evident throughout the show. … The strength … lies in sensitive treatment of light hinting at the passing seasons and a certain transience of life in contrast to the permanence of the landscape. Many of Beale’s finest works could be described as mood paintings set within a romantic sensibility. At their best, they are highly evocative and lyrical and hark back to earlier traditions and conventions in art.
Roger Beale retired as a Portfolio Secretary of Environment and Heritage in 2004 after many years as one of Australia’s most senior public servants to concentrate on his art practice. After retirement he served as a member of the UN IPCC, Climate Commissioner, Chair of the ACT Electoral Commission and an environmental adviser to the Chinese government. He led many inquiries and reviews and was a board member of Australia Post, the Federal Airports Corporation, Brisbane Airport Corporation, Connector Motorways and the Australian Centre for Christianity and culture.
He paints from a wheelchair as a result of childhood polio and, besides painting, writes for policy journals and advocates for the disabled. Overuse damage to his right shoulder means many of these paintings are done wholly or in part with his non-dominant left arm.
